Some writers have problems deciding on what ideas to use and what to leave on the table. However, the solution is pretty simple- you need to sell yourself the idea before you sell it to an audience. If you’re not interested, an audience likely isn’t either.
One approach to solving this problem is writing a book blurb for your story, which lays out the fundamental ideas of the story in an interesting and lively way that attracts readers. If you get excited reading/writing this blurb, then that story might be for you!
Blurbs are written using formulas, and one of the best I’ve come across can be found here.
However, if writing a full book blurb is still too much for you, a simple core premise logline might be better at getting you started.
A Core Premise is the central idea of your story and a seed from which the rest of the story will grow. With it, you’ll know the story you’re trying to tell, and have a guiding star leading the way to the end!
To find your Core Premise, you’re going to use a very basic technique that writers for movies have been using for a long time. In the movie business, writers often approach producers and directors with ideas for films, but they use a very simple structured version of their idea called a logline to get maximum effect and make the producers interested. If they can use it to sell a movie to producers, you can use it to sell a story to yourself- so let’s get started!
A great Core Premise needs to describe most of the following things:
- One or two adjectives about the main character. (to give them personality)
- The main character’s role or job. (Don’t use a name, just their role for now.)
- Anything that’s important to know about the setting or setup for the story.
- What the main character’s clear goal is.
- One or two adjectives about the opposition. (to make them interesting)
- The antagonist, opposition or challenge they face. (Also no names, use roles instead.)
- A hint of what will happen if the protagonist loses, or the stakes involved. (to add drama)
These can be presented in any order, but usually go in the above order, and will produce one or two sentences that look like this:
A mousy college student (adjective, who) working in a used bookstore (setting) must find a mysterious book (goal) when her co-workers are possessed by evil spirits (adjective, opposition) that will escape the store at nightfall (stakes).
An overworked executive assistant (adjective, who) at a large corporation (setting) must choose between her work and her family (goal) when a long-time rival (adjective, opposition) threatens to steal a big project (stakes) during a family crisis.
A high school student (adjective, who) must find a way to tell her long-time crush her true feelings (adjective, challenge) before she moves to a new city and they lose touch forever (stakes).
It’s actually pretty easy and fun once you get the hang of it!
Try using the ideas you brainstormed to come up with a Core Premise that follows the rules above. You don’t need to use all the information you came up with, just the main ideas. Also, don’t be afraid to try different versions of the premise with different details until you get one that you like.
Once you’ve turned at least one of your story ideas into a good-looking Core Premise, then you should ask yourself the following questions:
- Does this story idea grab you and make you want to write it?
- Is this story going to be one you think will interest your target audience?
- Is this story going to make your readers feel something?
If a premise gets three solid answers of “yes!” then that’s the story you need to write. If none of them get a “yes” for all three questions, then you need to go back and brainstorm some new ideas and turn those into premises that will work for you.