Yep. That’s basically it. You need to write until it’s instinctual, and that comes with a whole lot of practice. (Which he’s had, in spades!) Always keep writing!
I’ve been wanting to do a few YouTube videos about storytelling for a while, and finally finished the first one. Let me know what you think!
YouTube user Super Eyepatch Wolf posted a fascinating video last year about how the manga/anime BLEACH went from being one of the big three to cancellation. It’s a sad but fascinating story that tells you a lot about the manga industry in Japan, and is worth watching even if you don’t like BLEACH. (I’m not a BLEACH fan myself, I tried but never cared for it.)
I’d have to say the reason BLEACH died sounds like it was just a case of Tite Kubo just plain not being a good writer. When you combine that with being forced to serialize a story for over a decade on a weekly basis, and not being able to actually enjoy any of the money he was raking it, it’s not hard to see why the project collapsed. BLEACH just didn’t have a core concept to carry it through and give it direction, and that’s ultimately why it couldn’t sustain itself.
A fascinating follow up to the above video was this one the same creator did on the recently finished Naruto franchise, where he goes into good detail about how and why Naruto may have managed to keep itself going while BLEACH fell into a death spiral.
Both videos are worth the watch both as a study in the Japanese anime/manga industry and from a storyteller’s perspective.
Oh, and since both videos do extensively refer to One Piece (perhaps the best anime/manga ever made) here’s his intro to One Piece video as well to round out the Big Three!
One interesting development which has gone somewhat unnoticed during the first half of 2017 was China’s streaming media companies entering the teen animation market. While Chinese companies have for a long time been providing animation services for the Japanese market on the production end of things, China is finally making an effort to turn some of their more popular Young Adult properties into animated series.
One of these is Full-Time Mage (Quanzhi Fashi), which is based on a popular webnovel series and would be best described as “In a world where magic exists alongside technology, a poor teen is given the chance to go an elite magic high school where he tries to improve himself despite barriers of class and status.”
Note: I’ve included two episodes because the first one was done by one subber (who only did the first episode) and the second one (and the rest of the series) by another subbing group. You need to turn on the Closed Captions option to see the English subtitles.
The animation is still a bit rough, as is the storytelling. You can tell this is a cut-down version of long serial story which is just hitting the high points, but that does make it move at a brisk pace. It is very simple, and lacks the storytelling refinement you often see in the better Japanese anime, but the main character is likable, and the Chinese cultural elements bring something new to the mix so I enjoyed it overall. It’s a little bit like Final Fantasy meets Harry Potter.
Another series which got more attention (deservedly, if for nothing except the gorgeous animation) was The King’s Avatar (Quanzhi Gaoshou) which is basically the story of a professional Massively Multiplayer Role-Playing Game player who loses everything and has to start again from the bottom. It’s not bad, story wise, but if you’re not into MMORPGs like World of Warcraft, I think you might some of it hard to follow. Then again, I’m not a gamer, but still enjoyed reading a manga version you can find kicking around online.
What both of these have in common is that they originate from the Chinese Webnovel world, which has basically turned into the Chinese counterpart of the Japanese manga industry. It produces massive amounts of stories across all genres in the form of serialized online novels that people can read (mostly) for free, and which are written by the users as well. The best of them get promoted, printed, and monetized by the webportals they’re hosted on, and prior to now they would also get turned into comics. Now they have a new goal to aim for- animation!
Of course, just like anime, webnovels have their own tropes and storytelling styles that will work for some and not for others. If you read enough of them on translation sites like Wuxia World and GravityTales you’ll pick up the patterns pretty fast. For example, boys webnovels (and some girls) have a very standard trope where the main character was switched from our world to the body of another person in the story setting. Even Full-Time Mage implies something along those lines in the first episode, but they just gloss over it. It’s a fast way to write a fish out of water story, but the Chinese webnovel writers tend to overuse it.
In any case, check out the above shows if you’re in the mood for something a little different in your animated entertainment. I think they’re the first in a wave of Chinese animation we’re going to be seeing more and more of in the future.
YouTuber Vance Vids has begun doing a series of video explaining what is probably the most exciting Augmented Reality technology on the horizon- Magic Leap and what we know about the Florida-based company that Chinese and American corporations like Google and Baidu are dumping hundreds of millions of dollars into. Everyone who’s seen it says this technology is the future, so how does it work? Vance Vids explores what we know so far:
So, the other day I was reading the Tough Scifi blog, a blog dedicated to Realistic Space Combat (a subject longtime readers will know I’m fascinated by) and there was a reference to a new game called Children of a Dead Earth, which I clicked on out of curiosity. What I got surprised the heck out of me.
For years, I’ve searched for a game simulating realistic space warfare using actual physics, weapons and tactics that make sense based on what we know of how the universe and space combat could actually work. (No shields, no FTL, no space dogfighting, etc.) Mostly I wanted a game to simulate the actual physics involved, just to see how the whole thing would play out.
Well, Children of a Dead Earth IS that game.
The title comes from the idea that in this setting (which is our own solar system in the future) the Earth has been rendered lifeless, but not before Elon Musk and friends managed to get us out to Mars and colonize space. So it’s a conflict simulator between system powers, and there is a single player campaign all about this very topic. (Although primarily the game is meant to be a “Sandbox” game where players set up scenarios themselves, build their own ships and weapons, and blow the crap out their enemies.)
Now, one of the things about realistic physics is that it involves a lot of math and advanced concepts, which is why this is a very niche product. However, the game has done a great job of making it all very playable, reducing the math to mostly visual sliders and readouts and keeping the game fun instead of tedious. In fact, they’ve made it so playable it might just reach a wider audience than you’d expect, which manged to get it a Very Positive overall rating with 79 reviews on STEAM, which is where you can buy it. You can watch a playthrough here to decide if this is something you’d be interested in:
I have to say, they managed to make it as visually appealing as they could while staying realistic as well. The ships aren’t ships as in the Starship Enterprise, but structures with a cone of armored plate around them. Lasers are invisible, but railguns and coilguns are quite visually impressive and just plain cool to watch in action. And I find the strategic elements that physics brings interesting as well, since it’s primarily orbital combat and you have limited fuel for maneuvering. (Basically, if you don’t think ahead, you’re in deep trouble.)
This game really ups the Space Combat genre in a new way, and provides Scifi authors with a new tool to see how the battles that they’ve got in their books would actually play out. In fact, it shows just how complicated and interesting space combat really can be, which can add whole new layers to tales of future conflicts.
A few weeks ago, I wrote about the Kung Fu puppetry of Taiwan, but little did I know that I wasn’t the only one who’d taken an interest in Taiwan’s Wuxia puppetry- Japanese writing star Urobuchi Gen (the man behind Madoka Magica, Psycho Pass, and Fate/Zero) had also taken an interest in Pili Puppetry form. In a twist of fate, Pili was also looking to work with him, and as a result of that partnership- Thunderbolt Fantasy (Toriken Koki), a Japanese-Taiwanese hybrid TV series was born! (You can hear about this story in full in the Episode 0 special on Crunchyroll.)
I only heard about this show a week ago, and when I did I got pretty excited. I’ve never been able to watch a Pili series before, much less one as it aired, and this one was being simulcast with English subtitles on Crunchyroll. Thus, I eagerly waited for July 8th, when the first episode would air, and couldn’t wait to watch it last night when it popped up on the list.
So, how was it?
In short- as awesome as advertised!
I’ve seen clips of Pili shows, and even watched Legend of the Sacred Stone, but this was a whole other level. The puppet-work is amazing, the story and characters are engaging, and the craftsmanship in everything is a sight to behold. I couldn’t believe how into it I got, and by the end of the episode all I wanted to do was watch more!
In the Episode 0 (Making-of), the Japanese partners talk about how they were on set in Taiwan and the wonder of watching a piece of wood and cloth come to life the moment a human hand was put inside. I haven’t seen it done in person (although I’d like to, someday) but I can completely understand what they meant, as you literally forget you’re watching puppets at times because of the way they move and act. It really does take the magic of puppet theater and bring it into the 21st century.
The story at first blush is fairly standard. A great evil lord is trying to get his hands on mystical artifact, and killing everyone who gets in his way, which leads him into conflict with our heroes. Like I said, standard. But given Urobuchi’s reputation as a writer (it was written by him, but produced by the Taiwanese) I suspect there will be some nice twists coming that take it in a different direction. Not that it matters, because this story isn’t about the plot but the characters and action, both of which will keep you watching.
One thing I did like about this show is that each character has a different voice actor. In the original Taiwanese Pili shows, there is just one person doing the voices for all the characters, which is fine, but having a full cast allows each character to have a bit more life to them. It adds to the immersion, and I liked the voices they chose. One weird thing is that the English subtitles use the Chinese names, while the Japanese actors are using the Japanese names. It does make it more authentic, but it makes it a bit harder to remember everyone’s name since you’re hearing and reading different names.
In any case, Episode 1 has garnered 5/5 stars on Crunchyroll (with 123 votes) and I suspect it will be cult hit here and in Japan. (It’s only disadvantage is that it came out the same week Pokemon GO! launched) I hope so, because it really deserves the attention, and I’d like to see them do more in the future.
Want to check it out?
New episodes air on Crunchyroll each Friday evening starting July 8th (July 16th if you have a free account and are delayed a week), and I strongly recommend you do so. You might watch to watch Episode 0, which is available for everyone July 8th, and includes a preview of the show in the last five minutes.
I just finished watching the first season of Netflix and Dreamworks’ new attempt at rebooting Voltron, and I have to say I was impressed. This is no surprise, since the people behind the reboot are the same team and studio behind Avatar: The Legend of Korra, and they bring their trademark style of character, action, and humor to the project. So what did I like and didn’t I like?
- The animation is beautiful, and they’re not afraid to mix different styles together and do tricks like dropping to black and white line drawing at certain dramatic scenes. They’re very in control of the medium, and even though we’re looking at a mix of CGI and 2D animation, it all blends very nicely.
- The story is overall well written, and while it starts a little rushed it picks up quite well as it goes along. While each episode stands on its own, there is a clear overall story and progression, and they deftly avoid falling into the “Voltron fights monster of the week” trap. (In fact, I was shocked by how few monster battles there actually are.)
- The monster battles that happen are extremely well thought out and well choreographed, not “fight>fight>fight>blazing sword>end” but requiring the characters to think each monster through as a problem, not just as an obstacle to their goals. (Which makes the monsters more scary and actually intimidating.)
- They made Hunk, Lance, and Pidge into distinctive (and very loveable) characters who all have a purpose in the story and aren’t just sidekicks.
- They’ve expanded Zarkon’s forces into an actual race, The Galra, and treat them like an actual military force and even gave them bits of their own language.
- The shift towards an active role for the team instead of passively sitting there waiting for the next monster to attack.
- The original Voltron used Keith as it’s core anchor, and then slowly expanded on the rest of the cast as it went on. (It was following the formula set up by Gatchaman (aka Battle of the Planets/G-Force) and which is still used in Sentai today, where the Red Ranger is always the default hero/leader.) This new series is all ensemble, all the time, with no clear focal character except a character that the episode might choose to focus on. While this works okay, I found this results in the Hunk/Lance/Pidge trio getting the majority of lines and screen time, while the actual more heroic warrior characters of Keith and Shiro kinda get shafted in terms of story focus. Keith and Shiro start the season as enigmas, and pretty much end there too, in fact Keith is now reduced to being just another skilled but generic pilot, and a boring one. (Imagine a Legend of Korra where they spent 75% of their time on Mako and Bolin instead of Korra, and Korra just turns up to fight.) I’m hoping this is because Keith is now on a slow-burn towards hero-dom and it will be remedied in the following seasons.
- The new Voltron design is okay, not great, not bad.
- Every time they form Voltron, I keep having GaoGaiGar flashbacks, because the new Voltron combining sequence is a total GaoGaiGar “homage”. Watch…
Forming Voltron (however, this is the shorter version, there is a longer version which is even more like GaoGaiGar’s Final Fusion)
GaoGaiGar’s Final Fusion sequence for comparison.
- I’m oldschool this way, but to me Voltron isn’t Voltron without this theme! (Which I’ve been humming since my childhood.) Instead we get a bunch of really lackluster synth music that’s functional but nothing exceptional.
Overall, it’s a very well done show, and in some ways is superior to the original. It kind’ve reminds me of the Thundercats reboot they did a few years back, although that show had a little more depth to it. This new Voltron series is just a simple and fun retelling of the original Voltron story, and I look forward to seeing where they go with it.
P.S. Here’s your useless Trivia of the day! The original Voltron series wasn’t supposed to be translated from Beast King Golion at all. It was supposed to be translated from another series called Daltanius, which also featured a robot with a lion component. However, during pre-production World Events Productions asked their Japanese partner to send them tapes of “the one with the lion” and Toei Animation accidentally sent tapes of Golion instead! WEP liked Golion so much they decided to translate it instead!
And now you know…the rest of the story.
After I posted our recent episode of The Department of Nerdly Affairs about Ultraman, I got to thinking about what Ultraman series would be best for people watch as their first one. After all, your first exposure to a show can make a big difference in how you react to it. So, after giving it some thought, here are my recommendations: (click on the posters to check out the shows)
If you’re the type who loves the 60’s era Godzilla movies, then you should watch….
If you’re the type who loves early Doctor Who and original Star Trek, and don’t mind the old special effects, then check out…
If you want something like the original Ultraman with slightly better effects and a cool hero, (and you’re still not sure which one to watch) then you should watch…
If you’re a fan of old British shows like Thunderbirds and UFO, then the show that might be for you is… (Crunchyroll link.)
If you want something with decent special effects, a darker tone, and a little more serial plot, then probably you should watch…
If you want a show that’s about love, friendship with animals, and tries to avoid serious violence, then this is for you…
If you want a show which is just fun and has more modern special effects, then you want to watch… (Crunchyroll link.)
And, finally, if you’re under the age of 12… Just watch any of them, you’ll love them all. 🙂
As far as I know, Taiwan is one of the few places where puppetry is not only appreciated, but where puppet shows are shown on national television. In particular, the Pili programs of gloved puppetry shows have continued to capture the imaginations of young Taiwanese with their creative and colourful puppet storytelling.
The credit for upholding the long lasting popularity of Hand Puppet Shows in Taiwan, no doubt, belongs to the Huang family. Through their creative performances and their skillful management, they continue to find new ways to evolve the Hand Puppet Shows. Ultimately, the Huang family had developed the famous PiLi Dynasty with the PiLi Puppet Theatre. Following the current trends of modern society and the technological media- television became the new performing stage of the Puppet Shows and delivered this theatrical artistry to even a much broader audience. In its effort to attract the young viewers of the new generation, PiLi Puppet Theatre continued to create new and interesting concepts in their stories, including- illusionary time and space themes and action-packed Chinese kung-fu sequences. Now, the Puppet Show’s stage and presentation techniques can now expand to a different level of possibilities. From e-pili.com.tw
During my own time in Taiwan, I have seen first hand how popular these shows are, as there are specialty stores selling copies of the puppets and related merchandise and even a Pili-themed museums. The puppets themselves are so beautiful, I was tempted to buy one just for display.
How beautiful are they? Watch this amazing 2010 opening for one of the Pili TV series:
There have been several attempts to bring these shows over for English audiences as well, the first was an international release of Legend of the Sacred Stone, a somewhat rare film that has garnered a 7.3/10 rating on IMDB and a small cult following for it’s crazy-ness. You can see a sample here:
The other was in 2006, when Cartoon Network took one of the Pili series and dubbed it into a show called Wulin Warriors. Sadly, as is often done with foreign non-animated properties (and some animated ones as well!) the dubbers decided to have “some fun” with it, and “liven it up”. So while the visuals might still give you some of the spirit of the original, the dub itself and the creative changes seem targeted squarely at 8-10 year old boys. Someone has put all 13 episodes up on YouTube, if you can get through that many…
And that character that rambles on about pizza and makes bad jokes? In the original show, he’s a deaf mute. (I guess now we know why!) I haven’t seen the original, but I imagine it’s a heck of a lot more watchable. The only redeeming thing about this one is the beautiful puppetwork.
Anyhow, if you happen to come across one of these Pili productions or characters, now you know what they are. Unfortunately, there’s no fansubbed versions of the shows out there, and unless you speak Mandarin you won’t be able to follow the originals well. My own Mandarin isn’t up to the task, yet, but maybe someday.
More about Taiwan puppet culture in this short 5 minute documentary: