So, I’m puzzling over this quote from Araki’s book on writing manga.
In Western comic storyboards, panels are laid out with the most importance placed on good drawing composition, and the sketches focus on the characters’ actions. Japanese mangaka, on the other hand, place emphasis on characters’ internal thoughts and emotional reactions. This focus on the internal is what sets Japanese mangaka apart.
First, I think this idea is brilliant. It’s a really interesting take on comic composition.
But, beyond that, because I’m a writer, I have to wonder if there’s a way to apply this to prose writing. Does this just mean putting in emphasis on the characters’ feelings and expressing emotion over describing the action is it happening? Or, would this mean doing something like being more poetic and emotional in your language, or trying to find a balance between the two?
Or, does it mean digging deeper into how your characters are reacting and dealing with the situation?
Still thinking about it.