In this episode, Don and Rob sit down with Larry Houston, storyboard artist and animation producer, to talk about his history in animation and work on X-men: The Animated Series. The trio discuss how Larry broke into the animation industry back in the 1980’s, what it was like to work with Stan Lee, and his techniques for sneaking things past the TV censors. All this, and how Larry ended up creating the coolest openings in TV animation history, and waiting for you in this episode of the Department of Nerdly Affairs.
In this episode, Rob and Don are joined by comic artist and animation director and producer Will Meugniot to talk about Will’s long history in the comics and animation industry. In this deep exploration of the animation industry of the 80’s and 90’s, they discuss the DNAgents, Will’s role as showrunner for X-Men the Animated Series and Exo-Squad, and so much more! All this, and how Urusei Yatsura shaped JEM and the Holograms is here for you in the 36th episode of the Department of Nerdly Affairs.
In this episode Don and Rob are joined by the awesome Ramon Meija of the litRPG podcast to talk about the biggest new genre you’ve probably never heard of- litRPGs. The three discuss the origins of this fascinating genre, what makes a litRPG, what books your should be reading, and how the litRPG genre reflects the world we live in today. All that, and how to write litRPGs in this episode of the Department of Nerdly Affairs!
In this episode Rob and Don sit down with Journalist and TV Producer Dr. Rashid Narain (R.N.) Shukul to discuss Television and Media in India. Along the way, they touch on RN’s career as a cameraman and war correspondent, his time as TV game show producer in India, his time producing documentaries for Fremantle Media, and some of the political figures he’s encountered. Are Indians into Scifi? What is their preferred style of heroic fiction? And what’s up with all the singing and dancing? All of these questions and more will be answered in this episode of the Department of Nerdly Affairs.
In this episode, Rob and Don sit down with comedian Kevin Doak to discuss comedy and the nerdly arts. The trio debate which superhero you want to have over for dinner, why the Walking Dead needs more laughs, and the depressed turnout of Batman v. Superman. All this, and why Shawn of the Dead is the most realistic zombie movie ever, is waiting for you in this, the 25th episode of the Department of Nerdly Affairs.
In this episode, Rob and Don interview Scottish science fiction writer Gary Gibson about his career, writing Space Opera, and why Science Fiction has become boring. All this, and why Zardoz is a classic film, in this episode of the Department of Nerdly Affairs.
In this episode, Rob and Don sit down with comic artist and director of Marvel’s Avengers Assemble animated series Tim Eldred to discuss his career in the comic book industry and how it led him into the world of animation. Along the way, they discuss Tim’s advice for aspiring comic book artists, why getting your work done on time is crucial for a career in the comic book industry, and why the secret to successful media production is to have a really big raft! All this, and a look at Tim’s new project Pitsberg, are waiting for you in this episode of the Department of Nerdly Affairs.
I recently paid a visit to the Sonic Society’s Sonic Speaks podcast to talk with the incomparable Jack Ward about the history of my podcast- Kung Fu Action Theatre. In the interview, we talk about how I got into podcasting, my experience running KFAT, and my eventual decision to stop doing audio drama. Along the way, we discuss writing and the transition of going between being an audio dramatist and a prose fiction writer, and the challenges that come with learning to tell stories in audio before you’ve mastered prose.
It was a fun chat, and I hope we can do it again sometime. It made me think a lot about the differences between writing for audio and prose that I hadn’t considered, and I think I too learn from the exploration. If you’re planning to do Audio Drama, or make the jump from Audio Drama to fiction writing, it would definitely be a good one to listen to.
After having seen the amazing film Edge of Tomorrow on the weekend (go see it, now!) I noticed the Nerdist podcast had an interview up with Tom Cruise and so I decided to give it a listen. I’d heard Tom was an incredibly nice and gracious guy in person, and this podcast totally confirmed that. It’s a great and very personal chat between him and The Nerdist crew, which mostly focusses on his experiences in the movie industry and his thoughts about film-making in general. Given that he’s been in the business 34 years, he has quite a bit to say, so it’s worth a listen for that alone.
But, what this Podcast really made me realize about Tom is that he really isn’t that smart. In fact, I would say in terms of intelligence, Tom is a completely average guy, and if anything might even be a little dense. He’s a guy with a pretty face, a bit of charisma, and average brains who lucked out and got into the industry with his raw talent, and you know what? He knows it.
But, Tom has three things going for him that made him the star he is today- 1) he’s got an incredible memory, 2) because he doesn’t understand easily he’s extremely curious, and 3) he’s an astoundingly hard worker. He asks questions constantly, he remembers everything people tell him, and he puts that knowledge to work for him- and this is how he’s become the man he is today. He’s the perfect example of what one can achieve with hard work and a good attitude, and I have to say I admire that quite a bit. I may not be a fan of his religious choices, but this interview really made me respect him as a person and as an artist.
He also said something that stuck with me, a bit of advice Paul Newman gave him while filming The Colour of Money– “Just ignore all the white noise and do what you do”. Don’t worry about what other people think or say, just be true to yourself as an artist and be the best you can be. The world (and internet) is filled with people advocating causes and screaming about a million things, but we as artists need to just focus on making art which is true to us and our experiences. If we try to do what everyone around us wants, we’ll just go crazy or get nothing done.
Sage advice for an artist of any age or time.
I never got to watch the live action American Spider-Man TV series when I was a kid because I didn’t know it was on when it aired, but I did watch the “movies” (2 part episodes) that aired endlessly on Channel 43 Cleveland on Saturday afternoons during my childhood. When I was ten I used to tie a string to a pen, stick both up my sleve, and then pretend it was a web shooter by swinging my arm around and letting the pen and string fly!
WOOSH! Take that bad guys!
I always found Nicholas Hammond to be a little bland as Peter Parker, and I regretted there not being more actual Spider-Man bad guys (read: any supervillians at all!), but if I remember he did get to fight ninjas, so that almost counted. Still, this interview with Nicholas looking back on his time as TV’s Spider-Man was a fun nostalgic read, and somewhat informative. I had no idea that Spider-Man was so popular among African Americans, or that the suit actor/stuntman thought that Spidy should move like an actual spider.
To see what he’s talking about, watch the clip below. One other interesting thing I noticed is that the bad guys are using Asian-style martial arts. While this might not seem odd to people now (everyone in TV seems to know Kung Fu nowadays) this was before Hollywood as a collective decided that martial arts were cooler than street/fist fighting. It wasn’t until Buffy in the 90’s that I noticed martial arts creeping into TV fights in a big way, because before then the fights were all two-fisted boxing matches and tackles. Watch movies and TV series pre-1990 to see what I mean.
Spidey was ahead of his day in many ways!
And for those with time to kill, here’s the whole pilot movie up on Youtube: